I actually use both and my personal preference is for Quark mostly because most of the files I receive are Quark. But I think the trend is still towards Indesign. Basically I think Quark does the simple stuff better but in terms of support, upgrade price, plugins and the fact that Indesign is bundled with photoshop and illustrator I think i'm going to make the switch soon.
Anyone care to comment ...anyone who has made the switch actually regret it?
The functionalities of Indesign and QuarkXpress are pretty much similar. The major advantage of Indesign over QuarkXpress is the fact that XML in workflow can be efficiently handled using Indesign when compared to QuarkXpress. In addition to this, Indesign can support open type fonts as it is a product of Adobe.
InDesign, especially CS3, also allows you to do things you might normally have done in Illustrator or Photoshop in the past. Not that I use InDesign extensively, but I am aware of the functionality.
I *do* use InDesign but my greatest expertise is in Quark.
(As for typesetting, I go back to IBM Selectric Composer days -- and have used Varietypers, too)
I stil find Quark is in greater demand than InDesign with my publising clients. I think it's important to be fluent in both, however. You don't want to have to turn down a payday because a prospective want you to use one and you can only use or only have the other.
Stephen Tiano Book Designer, Page Compositor and Layout Artist http://www.tianodesign.com
I do not find the functionalities to InDesign and Quark XPress to be similar, but then, I haven't worked with Quark 7 at all. Or much with Quark 6, and certainly not with Quark 5. Because as far as I've ever been able to determine, the later versions contain all the bugs of Quark 4, plus new ones. Quark 4's bugs are at least well documented; with the new ones, you're on your own.
So that's a really big difference, right there: Adobe has been diligent about squashing bugs. I can't think of any that have carried over from one version to the next, and I've found very few to begin with.
The only features of XPress that I miss in InDesign are the ability to
1. edit kerning pairs 2. create H&J styles
The first is a pain to work around, but the second is not a big deal--just a glaring omission. These are far outweighed, for me, by many InDesign features that I use all the time: nested styles, object styles, table styles, Quick Apply, . . . As far as I know, Quark doesn't have any of these.
Quark XPress has its fans, obviously--thousands of them, I hear!--but my impression when using it has always been that it was built by people who never tested it for making a document more complex than a one-page ad. There are so many interface annoyances that make it tedious to work with, especially when you're setting a four-hundred-page textbook that uses, say, seventy style sheets. I have beat my head against my desk so many times while using that program, I've probably got a dent. But it's rare that I've rarely felt even mildly frustrated with InDesign, which I've been using since version 1.5.
Do clients still prefer Quark XPress? Not in my experience. The major publisher I worked for last year (designing book interiors, not typesetting) was still on Quark, but that had far more to do with their compositor's pricing than with the publisher's preference. Many of the designers wanted to switch, but the compositor was dragging its feet probably because it had invested tons of money into automating its copyfitting work in Quark. So they would accept InDesign layout samples, but they would reproduce them in Quark for the actual typesetting. Version 4, of course.
Some printers were balky about InDesign for a while, but I haven't encountered that since about 2003. I usually send PDFs, anyway, which printers tend to prefer.
In sum, I'm glad to be rid of XPress. I won't buy a copy of 7 for my company, even though we have a lot of legacy Quark files, because I think it's a waste of money. And the only reason I keep older versions around is to convert files down to 4 so that I can import them into InDesign. It's dead to me.
pat123, you started it, so I'll address you: You're in an unhappy marriage, forced to stay because of your little electronic children. It's not your preference, you're staying faithful to a happy memory.
Quark started fooling around on you in version 5, didn't it? With that ugly interface, stumbling home late at night. You hardly saw each other, except to convert files down from 6 to 4. Those strange new personality traits in version 6? Why did the scroll bar on the style sheet palette disappear? You'll never know. Just how many times do you have to throw out your preferences and restart to see the writing on the wall? You've lost enough of your life recovering work after Quark's sudden crashes, and now it's trying to win back your heart with version 7. Oh sure, Quark says it's changed, it's even better than before. But do you really have the time to wait around to find out how to work around Quark's new bugs? It's time to move on.
I switched over some time ago now - from Quark to InDesign. I started out with PageMaker about 18 years ago, switching to Quark about 12 years ago, then onto InDesign five years ago. InDesign wins hands down. It does everything Quark does and then some.
I think that where you live dictates how many files you still receive in Quark format. I'm living in New Zealand, and because we are generally early adopters with new software, you'd find very few people using Quark. I haven't received a Quark file for a couple of years now. If I did, I'd be doing a pretty prompt conversion to InDesign!
I love the way that InDesign works with my other software of choice - Photoshop. I'm still in the process of switching to Illustrator from Macromedia Freehand. Freehand has been taught in most design schools here in New Zealand for a long long time and it's taking quite some time for people to make the shift, including me.
I do language layout, that means I take foreign languages and relay them out in the application used for English. I use both InDesign and Quark only because I receive files from customers and have to send them back what they send me. I like InDesign better than Quark because of the automatic numbering, TOC, etc. The version of InDesign I use is the ME (Middle Eastern) version since I also do Arabic and Hebrew. I can create these languages and then Outline them and my customer can open the files in their English version with no problem. Up until, I think, version 7 of Quark I would have need 4 additional copies of Quark and some additional plug-ins to be able to do the SAME THING!!!!!!!!!!! It would have cost me a LOT more money to do Asian and Arabic in Quark than it ever has in InDesign ME. Even if I had purchased these additional copies of Quark my customers would have had to purchase them also. Then the Printer, if they printed from the live files, would have had to purchase them also. I do not think the customer would have been very happy in the additional expense.
Even today when I receive Quark for Asian, I convert it to InDesign and then provide the customer EPS graphics in their Quark files. They are happy and I am very happy.
I remember the good old days when I used QuarkXpress 4.11. I hated Quark 4, it crashed all the time and it refused to start if I were using the wrong keymap (no passport) , I pressed the save button every 5 seconds to prevent data loss. At the place where I worked there was a color laser printer that certainly had a mind of its own. This was at the time when this type of printer was new and they costed as much as a brand new car. Some postscript documents were refused and most documents were decorated with red error messages when they came out from the printer, and the printer was very slow.
I usually printed Word documents and LaTeX generated postscipt files on it (which wasn't frequently). Now this day I had a Word document with a more elaborate typesetting than usual and the color printer refused to print out the document the way I wanted to, red text messages were all over the pages. So I decided to re-layout the entire document in Quark 4. The document came out of the printer INSTANTLY, smelling like a mushroom, and it came out exactly the way I wanted to.
I had never thought about this before but out of curiousity I begun to examine the documents more carefully (looking into the postscript code, comparing filesizes, ...) and experimented with different programs (Quark, PageMaker, InDesign [later], Ghostscript, Acrobat, ...) and I can say one thing; I have never encountered a program that generates as good and clean postscript as Quark 4, not even later versions of Quark.
I was a Quark power user since the "olden days" (version 2). Since I've been a freelancer for 20 years, I've had to support the applications my clients use. While I used InDesign from its inception, I switched to InDesign full time at CS2 and now most of my clients have also switched. Most are on CS3 with a couple using CS4. I purchased the Q2ID plugin from Markzware to aid in the conversion process. I'd consider it essential if you've got legacy Quark docs. While it's not perfect due to the typesetting engines of the applications, it's pretty darn good; doing a seamless job of about 98% of the pages.
Anyway, there's no way I'd ever switch back to Quark. The efficiency of InDesign is in the seamless approach to using the Adobe apps, not necessarily in the keyboard shortcuts we all enjoyed with Quark.